Learn about some of the mammals that roamed the Arctic long ago! From seals that walked on land to giant bears, this book features different mammals that once lived in the Arctic.

The sun and moon are important figures in all Northern cultures. This book shares traditional knowledge and stories about the sun and moon and their significance in the Arctic.

The work of nine preeminent contemporary Mi’kmaw artists Mi’kmaw artists are creating a wide range of imaginative and beautiful work using the skills and traditions of basketry weaving given to them by their elders and ancestors. In this book, nine artists present their work and their stories in their own words. Their unique artistic practices reflect their relationships to the natural world around them and their abilities to create unique and beautiful objects using a mix of traditional and contemporary materials and forms. Each artist's account of their background and practice is introduced by editor shalan joudry. Their words stand alongside examples of their art, photographed in their studios by Holly Brown Bear. Award-winning filmmaker and activist Catherine Anne Martin's introduction to the book offers a history of the art form and its cultural importance. This book is a milestone in creating awareness of and celebrating a group of important contemporary artists working today in Mi’kma'ki, the traditional territory which embraces Nova Scotia, New Brunswick, Prince Edward Island and portions of Quebec. Featured artists: Peter J. Clair, Elsipogtog First Nation, New Brunswick. Virick Francis, Eskasoni First Nation, Nova Scotia. Stephen Jerome, Gesgapegiag, Quebec. Della Maguire, Glooscap First Nation, Nova Scotia. Frank Meuse, L'sitkuk First Nation (Bear River), Nova Scotia. Margaret Pelletier, We'koqma'q First Nation, Nova Scotia. Sandra Racine, Elsipogtog First Nation, New Brunswick. Nora Richard, Lennox Island, Prince Edward Island. Ashley Sanipass, Indian Island, New Brunswick.

What do you see at the playground? While Tauja and her mom are at the playground, they see people doing all kinds of fun activities. This book helps children practise singulars, duals, and plurals in Inuktitut.

As flowers and trees begin to bloom and bud, Nox Ap, the bee mother, emerges from her winter sleep. To the Gitxsan, she is nature's gardener. In the seventh book of the Mothers of Xsan series, readers will discover the important role of the bumblebee, the honeybee, and the yellow jacket wasp as pollinators in the Xsan ecosystem.

Behind Closed Doors features written testimonials from thirty-two individuals who attended the Kamloops Indian Residential School. The school was one of many infamous residential schools that operated from 1893 to 1979. These storytellers give voice to the thousands as they remember and share with us their stolen time at the school; many stories are told through courageous tears.

Niaqualuk and Haugaaq live in Cambridge Bay, Nunavut. There is a big blizzard coming! Haugaaq wishes she could play outside more, but Niaqualuk is excited about playing inside. See what fun things the sisters do all day as the blizzard howls outside.

"Engaging images accompany information about the Blackfeet. The combination of high-interest subject matter and narrative text is intended for students in grades 3 through 8" --

Before internationally acclaimed author Joseph Boyden penned his bestselling novel Three Day Road and his Scotiabank Giller Prize–winning novel, Through Black Spruce, he published a powerful collection of thirteen stories about modern Aboriginal life that made readers and reviewers take notice. These stories of love, loss, rage and resilience match virtuosic style with clever wit to turn stereotypes on their head and reveal the traditions and grace of our First Peoples. Readers come to know a butterfly-costumed boy fascinated by the world of professional wrestling, a young woman who falls in love with a wolf, to the leader of an all-girl Native punk band and Painted Tongue, the unforgettable character from Through Black Spruce. Though each story is told in a different and distinct voice, they are all united by their captivating vitality, nuanced perceptions and vigorous prose.

"Botanist Robin Wall Kimmerer's best-selling book Braiding Sweetgrass is adapted for a young adult audience by children's author Monique Gray Smith, bringing Indigenous wisdom, scientific knowledge, and the lessons of plant life to a new generation"--

Brave Like the Buffalo is a children's book with a message that will inspire all readers to face the storms in their life with the help of their support systems and with a brave mindset. Written by Melissa Allan and illustrated by Jadyn Fischer-McNab, this story uses a powerful animal, the buffalo, as a symbolic message and connection to Indigenous ways of knowing and being that helps to create a wonderful narrative rich with Indigenous ties and a heartwarming message around facing adversity. Brave Like the Buffalo is intended for audiences aged 0-6, to be used educationally as a way to intertwine Indigenous ways of knowing and being through story.

NEW YORK TIMES EDITORS’ CHOICE • A powerful, poetic memoir about what it means to exist as an Indigenous woman in America, told in snapshots of the author’s encounters with gun violence. Finalist for the Dayton Literary Peace Prize • Goop Book Club Pick • “Essential . . . We need more voices like Toni Jensen’s, more books like Carry.”—Tommy Orange, New York Times bestselling author of There There Toni Jensen grew up around guns: As a girl, she learned to shoot birds in rural Iowa with her father, a card-carrying member of the NRA. As an adult, she’s had guns waved in her face near Standing Rock, and felt their silent threat on the concealed-carry campus where she teaches. And she has always known that in this she is not alone. As a Métis woman, she is no stranger to the violence enacted on the bodies of Indigenous women, on Indigenous land, and the ways it is hidden, ignored, forgotten. In Carry, Jensen maps her personal experience onto the historical, exploring how history is lived in the body and redefining the language we use to speak about violence in America. In the title chapter, Jensen connects the trauma of school shootings with her own experiences of racism and sexual assault on college campuses. “The Worry Line” explores the gun and gang violence in her neighborhood the year her daughter was born. “At the Workshop” focuses on her graduate school years, during which a workshop classmate repeatedly killed off thinly veiled versions of her in his stories. In “Women in the Fracklands,” Jensen takes the reader inside Standing Rock during the Dakota Access Pipeline protests and bears witness to the peril faced by women in regions overcome by the fracking boom. In prose at once forensic and deeply emotional, Toni Jensen shows herself to be a brave new voice and a fearless witness to her own difficult history—as well as to the violent cultural landscape in which she finds her coordinates. With each chapter, Carry reminds us that surviving in one’s country is not the same as surviving one’s country.

To celebrate the fifth anniversary of the Indigenous Voices Awards, an anthology consisting of selected works by finalists over the past five years, edited by Jordan Abel, Carleigh Baker, and Madeleine Reddon. For five years, the Indigenous Voices Awards have nurtured the work of Indigenous writers in lands claimed by Canada. Established in 2017 initially through a crowd-funded campaign by lawyer Robin Parker and author Silvia Moreno-Garcia that set an initial fundraising goal of $10,000, the initiative raised over $116,000 in just four months. Through generous support from organizations such as Penguin Random House Canada, CELA, and others, the award has grown and have helped usher in a new and dynamic generation of Indigenous writers. Past IVA recipients include Billy-Ray Belcourt, Tanya Tagaq, and Jesse Thistle. The IVAs also help promote the works of unpublished writers, helping launch the careers of Smokii Sumac, Cody Caetano, and Samantha Martin-Bird. For the first time, a selection of standout works over the past five years of the Indigenous Voices Award will be collected in an anthology that will highlight some of the most groundbreaking Indigenous writing across poetry, prose, and theatre in English, French, and in an Indigenous language. Curated by award-winning and critically acclaimed writers Carleigh Baker, Jordan Abel, and Indigenous scholar Madeleine Reddon, this anthology will be a true celebration of Indigenous storytelling that will both introduce readers to emerging luminaries as well as return them to treasured favourites.